The Studio Box

Three drawings

Lindsay — Sun, 08 Aug 2010 01:15:25 +0000

Composition with three; 2010; pencil, charcoal, and gouache on paper; 5″ x 7″

Composition with five; 2010; pencil, charcoal, and gouache on paper; 5″ x 7″

Composition with one; 2010; pencil, charcoal, and gouache on paper; 5″ x 7″

“Spare room view”

Lindsay — Sun, 08 Aug 2010 01:10:23 +0000

Spare room view; 2010; oil on linen; 12″ x 12″

“Botanica with dot”

Lindsay — Sun, 08 Aug 2010 01:07:29 +0000

Botanica with dot; 2010; pencil, gouache and oil pastel on paper; 9.5″ x 9.5″

“Egg composition”

Lindsay — Sun, 08 Aug 2010 01:04:07 +0000

Egg composition; 2010; pencil, charcoal, and gouache on paper; 9.5″ x 9.5″

“Slowly, like failing light”

Lindsay — Wed, 19 Aug 2009 20:50:31 +0000

Slowly, like failing light, 2009, mixed media and collage on paper, 12″ x 6″

“The unimaginable secrets they keep”

Lindsay — Wed, 19 Aug 2009 00:46:29 +0000

The unimaginable secrets they keep, 2009, mixed media on paper, 9.5″ x 12″

Works in progress

Lindsay — Wed, 13 May 2009 19:48:27 +0000

Here are some slower paintings that are taking an intermission while I move and try to set up a new work space. In this first shot, the work in progress is on the right. I’ve been composing abstract canvases by building up many layers of transparent glazes. These new paintings seem to be about accumulation and time passing, both literally and conceptually. I’m trying to keep visible brush strokes to a minimum and I want the entire surface to have an overall smooth, glossy quality. I enjoy seeing the under layers of color show through subsequent layers of paint and alter the tone and depth of the surface. (The painting on the left is Some Other Ocean, completed back in 2008.)

Below is another example from the accumulation abstractions I’m working on. I originally began piling circles on top of one another in mixed media work, and I am now translating this idea into oil paint. Again, this painting is made up of many transparent glazes. It’s difficult to see in this photo, but this painting also has the texture and brushstrokes from an older, sanded down painting showing through to the surface.

And finally, below is an unfinished diptych I’ve been working on. The portrait side is probably complete. Rather than paint the portrait in one sitting as I usually do, I spent several weeks building up thin layers of glazes. The final layer was a transparent glaze of cobalt blue on the face to correct a too orangey skin tone. The unfinished side is made up of several layers of glaze, and I have plans for this that will just have to wait a while to take shape.

New drawing: “It happened while sailing”

Lindsay — Sun, 01 Feb 2009 00:06:37 +0000

It happened while sailing, 2009, gouache and pencil on paper, 8″ x 8″

New work: “Very Specific Memories”

Lindsay — Sun, 04 Jan 2009 02:18:34 +0000

Very Specific Memories, 2009, mixed media on paper, 7″ x 7″

New mixed media diptychs

Lindsay — Mon, 29 Dec 2008 06:31:59 +0000

You are as I imagined you would be, 2008, mixed media on paper, 8″ x 4″

All that was left unsaid, 2008, mixed media on paper, 8″ x 4″

Their Children’s Mothers, 2008, mixed media and collage on paper, 8″ x 4″